Official Godzilla 2016 discussion thread!

(Firsties!)

I agree that the new one will liik like the Heisei/Millennium designs. I think that Godzilla will first destroy a city, and then fight an enemy, much like Godzilla '85.

Something is telling me they could be using that 2009 youtube godzilla clip. Where this guy seen the destruction and i guessed cussed godzilla, then godzilla turns around and bellows out his roar.

Speculation though all i can say is we will have to wait and see, cause like i said in some other thread, he does not have to fight a new or old monster every time he lets a fart.

Honestly, this probably needs its own forum section.

i think the same gman

Instead of giving it it's own section possibly turn the G 2014 sequel forum which doesn't have much to talk about into a "Future Godzilla Movies" would be a better option.

My feeling-about the film-is that Toho will attempt something that will mark the story and the film, it's look and atmosphere, as distinctly Japanese. At least, if I was being consulted, this is what I would advise. Godzilla 2016 has to resonate with the domestic Japanese market. A well developed story, with riveting performances and imaginative direction are essential. But it must be thoroughly Japanese. The worst thing would be for Toho to try and ape Hollywood blockbuster style films. Godzilla 2016 must be visceral, shocking at times without being cheap or gimmicky. There are talented, gifted filmmakers in Japan. They just need the time and the trust from Toho to demonstrate it. 

Time is also needed to make the production values raise to the level of near believability. This means ample time for story and script development and plenty of time for post-production and the tweaking of visual/special effects. I said near believability because the look and style should be somewhat distinct from what Legendary has made.

In short, I would love to see a well made, finely crafted film that immerses us in the realm of tokusatsu.

I think new, younger talent is essntial to the success of the new Toho Godzilla film. Perhaps, this way, the movie will be something more people can relate too, as opposed to just hardcore fans. An attractive, compelling theme that is controversial should be at the heart of the story.

Actually, I would be happy with a film that somewhat resembles-like a not so distant cousin-the Heisei Gamera films. Of course, with improvements in visual and special effects that have ensued over the last 15 years.

And how about reuniting Shusuke Kaneko and Shinji Higuchi to direct the live action and special effects, respectively? The aforementioned reference to younger talent could be in the area of screenwriting and plot. Or, the cast. There are a lot of possibilities here.

This, in itself, is exciting.

I agree that it should be distinctly Japanese. It would be no fun if there were two Hollywood style Godzilla's running around. I also can't wait for the fact that there will be 2 (maybe) Godzilla series' going on at the same time.

Do you think Toho will turn it into a series, or leave it as a stand-alone film?

I hope it's series of films, with connecting storylines.

I wouldn't necessarily want to see reoccurring characters. And please, no psychics. I would like to see actual, extant military hardware. Also, a suspenseful, twisting plot with political implications and distinct characters that you actually care about. And a lot of monster action, with the military making a good account of itself in the confrontations with Godzilla and the other kaiju.

Some internal conflict within the military would be nice. Especially if it affects the battles with Godzilla. I would rather not see him assume the role of Japan's hero monster or savior. And I certainly don't want to see him 'team up' with the JSDF. I'd like to see new kaiju, with extraordinary powers and frightening appearances. And they should display a pronounced level of intelligence and cunning. The designs should be edgy and scary.

However, care should be taken to make sure that the Godzilla design is formidible, yet not unusual. He should be 'handsome' and noble. Toho knows how he should look. And so do we. A variation of the Bio-Goji would be nice.

I want to see the other kaiju demonstrate an identifiable deliberateness in their destruction, as if they are driven. They shouldn't be 'just animals' acting instinctively.

The people of Japan should be kept in a constant state of fear and suspense; not knowing who is the greater threat: Godzilla or the other kaiju. This ambiguity should permeate the story to the point that no one really knows how it's going to turn out. I personally like strories that keep me guessing and off balance. The human characters should be at the center of the action, involved, and not reduced to being merely spectators. As a viewer, I want to be able to travel with the film and its narrative and become obsorbed in it. There should be horror, suspense, humor and personal drama with sacrifice.

Also, I would like to have the roar from the 1954 classic, Gojira.

I would say that they should reuse the Final Goji from GFW.  For me, he was the last true Japanese Godzilla so it would cool to see the king return in an iconic suit.  But still, a new suit would be cool.

They might go with a femgoji type suit for this one.

So long as they get away from garbage like Final Wars I'm good. Hopefully it'll be in line with some of the deeper films of the series, like Mothra vs Godzilla or Godzilla vs Biollante.

This film might use Tokusatsu. Since Toho won't bow to the new Legendary Godzilla, they should rival the CGI with practical effects. And it can look really good, I mean, look at the new Attack On Titan film. They're using puppets and practical effects, and it looks amazing! 

I'm watching The Sinking of Japan. 

Without addressing issues regarding the film itself (pacing, acting, plausibility, etc.), I must say, so far, at least, that I like the way this movie looks.

If Godzilla 2016 could have this kind of modern look, with wide, panoramic shots and a sense of grand scale, paired with well-crafted and meticulously produced practical effects, well, we could have something here. Again, I'll have to see the whole film with subtitles to get a better idea of how good it is, and that's subjective anyways. But visually, it gives me hope for what could be in terms of a Godzilla film, where instead of a country sinking, in the case of The Sinking of Japan, you have giant monsters (or a giant monster) personifying disaster on a national scale.

Some of the best shots in The Sinking of Japan seem to take place around sunset or sunrise. I would love to see similar scenes in the next Toho Godzilla. Maybe a shot of him in Tokyo Bay, silhouetted against the evening (or morning) sky.

I believe Makoto Kamiya was the director of special effects for this film. Makes me wonder what could be.

TSOJ does not look cartoonish or as if it's pandering to nerds in any way. It was going for broad appeal with a kind of documentary look to it.

With a great script and impassioned performances, and the visual feel and beauty of TSOJ, paired with the very best in the way of suits and miniatures, Godzilla 2016 could be a real rebirth of kaiju eiga in its homeland.

I agree with the point Danielle made, but those images from the AoT movie, are actually from a Subaru advertisement, You can watch it here. But to add to the point, they do mix CGI and puppets to make wonderful effects.

With the improved effects of modern Tokusatsu, as well as CGI where needed, all Toho needs to do is have a great screenplay and developed characters. Then I will be set for life

I am really grateful that Toho is making a new Godzilla film. My reaction to this is somewhat similar to how I felt in late 1998 when it was anounced that they were going to make a new film. I'm certainly not comparing the Legendary Godzilla with the Centropolis/Tri-Star film. But, it is more of a feeling that Toho should be making Godzilla movies. 

I am convinced that employing traditional tokusatsu techniques is the way to go. One of the things I love about these films, is that they have soul. This is not something that can be summoned into existence by large, megastudio blockbuster budgets. (These budgets can begat a certain amount of hubris. On one of the Legendary Godzilla special features, one of the producers said to the effect that they wanted to bring 'the real Godzilla, not the man in the suit.' Excuse me?) Rather, it springs from the core of tradition and artistry that has been passed on, generation to genration. It can be enhanced and improved, augmented and refined. But that heart and soul is what drives these productions and gives them their distinct look, feel and beauty.

My Godzilla and Gamera movies give me a lot of satisfaction. I believe a lot of this derives from how they are made, not just the results. For this and other reasons, I am looking forward to the new Godzilla from Toho.

@Jamaal,

Everthing you have said i totally agree with!

NerdyBandGeeks,
The Suburu ad was directed by Shinji Higuchi who is both directing and supervising the special effects for the Attack on Titan movies. So those visuals might not be far off from what the movie has-- Or better yet the movie may have stronger visuals.

These are great times.

Looking forward to the snippets of information and rumors about the new Toho Godzilla: production crew, cast, Godzilla design, plot outline.

I'm lovin' it.